Bhatt on AB, SRK, Aamir

Talent -- Mahesh Bhatt, on being asked what Emraan Hashmi had that Amitabh Bachchan, Shah Rukh Khan and Aamir Khan didn’t. (as reported by ToI on June 1, 2008)

Heh!

FESPACO -- the pan-African film & TV festival

This week, the Alliance Francaise of Madras showcased a selection of award winning African movies. FESPACO, the Pan-African film and television festival, is the biggest, regular cultural event on the African continent. FESPACO was started in 1969, and is held every two years. At the end of the festival the grand prize of the mythical Yennenga Stallion is awarded to the best film. The Alliance Francaise of Madras in association with the Indo Cine Appreciation Forum presented four of the films that have previously won this prestigious award. I could see only two of them due to my engagements elsewhere -- Ali Zaoua & Sarraounia.

Ali Zaoua: Prince of the Streets

It is a 2000 Moroccan crime drama film directed by Nabil Ayouch about the homeless street children, who steal, fight, even kill for the sake of survival. It has won numerous awards, including the 2000 Stockholm Film Festival and 2000 Amiens International Film Festival.

Ali -- the movie's central character, Kwita, Omar and Boubker, are street children who wander the streets of Casablanca, sniffing glue. Ali is killed in a stone-fight by one of members of the rival gang, headed by deaf and dumb Dib. Now, the 3 remaining friends do whatever they can to give their friend a burial like a prince.

They even arrange for the robes of a sailor as Ali wanted to be a sailor who wanted to sail away to his fictitious island of two suns. Interspersed with rib-ticking dialogues and performances from the kids, some of whom are real life street urchins, and some thought-provoking scenes, the movie is a beautiful depiction of the street scene of Casablanca. It reminds me of the innocence found in most of the Iranian movies. However, the movie doesn't tell us what drove the kids to such a state in the first place. But it's definitely worth a watch.

Sarraounia

This 1986 film from Mauritania, by Med Hondo, is a powerful story about the historical Queen Sarraounia, a great leader of the Aznas' resistance against the French in 1899, after many other tribes had succumbed to the attack of the colonizing soldiers. It starts with an old man asking his friend to look after her daughter Sarraounia. The foster father not only looks after her, but also teaches her to use various weapons.

It reminded me of Chinua Achebe's much acclaimed novel, Things Fall Apart. The European armies invade Africa, trying to spread their empire, are faced by a determined tribe of Sarraounia. The movie was intense and slightly long. Sarraounia's role as the warrior princess could have been given more air-time. But with its beautiful traditional music and visually appealing shots, you'll not forget the movie for a long time.

The film, touted as 'the first African epic' by Le Monde, was featured at festivals in Montreal, San Francisco, Berlin, Moscow, Atlanta, and London, and won several awards at the annual African Film Festival at Ougadougou.

Other movies

The remaining two movies which I couldn't see were:

1. Tilaï (1990) from Burkina Faso, directed by Idrissa Ouédraogo

2. Guimba the Tyrant (1995) from Mali, directed by Cheick Oumar

The Lives of Others

Last week, I saw 'The Lives of Others' (original German: Das Leben der Anderen) -- a wonderful German movie, which won the 2007 Academy Award for the Best Foreign Language film. Directed by Florian Henckel von Donnersmarck (what an interesting name!), this movie is set in the East Germany (GDR) of 1984 when idealism and socialism ruled the roost. It somehow reminds me of 1984, George Orwell's acclaimed novel about life in an authoritarian regime.

Ulrich Mühe as Stasi (GDR's secret police) Captain Wiesler (Code name: HGW XX/7) and beautiful Martina Gedeck as the playwright Georg Dreyman's lover and a renowned actress Christa-Maria Sieland are just superb in their roles. Moreover, Martina is more than a treat to watch. Dreyman's role is played by Sebastian Koch.

The movie is a fine balance between emotions and thrills of life. It captures those turbulent times (5 years before the breaking of the Berlin Wall) in a fascinating way. One could not live even his own life in a peaceful manner as almost everybody was kept under the eyes of the Stasi, Ministry for State Security. By listening to people's conversations and their mannerisms, each one's fate was decided -- whether the person is reliable or not.

Wiesler is asked to spy upon the lives of the playwright Dreyman and his lover Christa-Maria. In the process of observing their lives, Wiesler himself gets absorbed and even plays an active part in trying to alter some situations. However, what causes this stern and authoritarian Captain to soften up, is not told clearly in the movie.

Martina Gedeck & Sebastian Koch in 'The Lives of Others'

The events of the movie are layered upon the viewer and he doesn't feel loaded by them. This gradual build up of drama and emotions is one of the strong points of the movie. The closing scene of the movie is really touching. The times are post-Berlin Wall and Weisler, doing some small jobs, sees a novel published by Dreyman and purchases it. On asked for an option to gift-wrap it, he replies: "No, this is for me." It is one of the best scenes I've seen of late.

The music of the movie is worth mentioning. It's an elixir for the ears. There's a piece of Beethoven - Appassionata about which Dreyman tells Christa-Maria that Lenin once said of it: "If I keep listening to it, I won't be able to finish the revolution."

The movie has strong after-effects and you continue to think about something even on coming back to your home (in fact more so then). All-in-all, a must watch.

Pangea Day

Yesterday, while watching Star World (after ages), I saw this show and just could not change the channel because the show was just so engrossing. I later found out that it was the inaugural Pangea Day. And believe me, it was a fabulous showcase of some of the best short films from across the world – all packed in a 4 hours show. It was just so beautiful. Films from Iran, Egypt, France, Australia, Mozambique, from everywhere -- truly a treat.

About Pangea Day

Pangea Day was an international multimedia event conducted on May 10, 2008. It was coordinated from 6 locations – Cairo, Kigali, London, Los Angeles, Mumbai, and Rio de Janeiro – in 7 languages – to produce a 4-hour program of short films, live music and speakers. The program was broadcast live across the globe from 1800 to 2200 UTC, culminating in a global drum circle, symbolizing the common heartbeat of the world. According to the festival organizers, "Pangea Day plans to use the power of film to bring the world a little closer together."

Pangea Day originated in 2006 when documentary filmmaker Jehane Noujaim won the TED Prize. Jehane wished to use film to bring the world together.

Pangea from the Ancient Greek pan, meaning entire, and gaea, meaning Earth was the supercontinent before each of the component continents were separated into their current configuration. Used in this way it is meant to imply the "connectedness" or unitary nature of all people on Planet Earth. [By the way, Nokia was the global partner of the event – Connecting People!]

The films

Pangea Day was a celebration of the power of film. It featured films that were funny, sad, gorgeous, stark – and powerful. Voices that had never been heard before. Things many had never seen. Scenes from worlds few had visited. A cross-section of our amazing, complicated, noisy, beautiful world.

The films in this program were chosen by Pangea Day's panel from more than 2,000 submissions and a long roster of curated suggestions. Together, these films moved us, frightened us, made us laugh and smile, and helped us feel closer to the world.

Learn more about Pangea Day films.

The speakers

In between the films of Pangea Day, some astonishing speakers talked about our world in surprising ways. From Jordan's Queen Noor to former boy soldier Ishmael Beah, from journalist Mariane Pearl to planetary explorer Carolyn Porco, we heard powerful stories and mind-expanding new ideas. And in one unforgettable moment, two historic enemies met on the Pangea Day stage.

Learn more about Pangea Day speakers

The music

The music of Pangea Day came from Brazilian legend Gilberto Gil, rock stars Bob Geldof and Dave Stewart, and the elegant and soulful Rokia Traoré – plus underground Iranian indie rockers Hypernova – and a few surprises.

Learn more about Pangea Day music.

In the end

Well, I just loved the concept. And some of the short films shown were truly outstanding. You can check out the Highlights from Pangea Day here.

Keep smiling!

Source: Wikipedia & Pangea Day Website